Late yesterday morning, Flannista finally got feedback about that huge writing project that consumed the life of the Sassistas! the past month.
It was good news/bad news.
I've been a professional long enough to know that the news won't be optimal when, at the onset, your client spends an inordinate amount of time discussing the weather. Then the awkward pause. Then, "The team would like to express our gratitude for what you brought to this and want to be certain that you get paid quickly."
"This" is a made-for-TV movie screenplay about video gaming that arrived in horrible shape. The producers panicked because the project had already been green-lighted (in fact, they began shooting yesterday). Through odd TRM connections, I got an out-of-the-blue call at the beginning of August to see if I could rewrite the screenplay which was "only 30 percent there". I was given notes from the producers about what wasn't working in the screenplay as well as parameters about what I could or could not change. I was also given 10 days to complete the revisions.
The good news: "several of your ideas put the fear of God into the director (who is also the original screenplay writer) who is now making his own revisions." Also, several aspects/ideas I brought to the script were "very creative" bringing "whole other textures" to the screenplay "showing the benefits of living in community."
The bad news: "You had too much respect for the original writer and did not blow up the script. If we were moving forward with you on this you would have had to tear down the walls of this thing."
"Blow up the script." "Tear down the walls of this thing." I never heard either of those phrases from the producer the two times we talked prior to yesterday's feedback. He then pointed out specific things that weren't working in my revisions which was helpful and, I suspect, beyond the kindness of most Hollywood producers.
Then another awkward silence.
FLANN: Well . . . bottom line, can I do this . . . write screenplays?
PRODUCER: I can definitely affirm your writing skills. God has definitely given you a gift.
FLANN: Would you use me again?
PRODUCER: We don't know if we'll get future projects. But do send the invoice.
Some more pleasantries about the pros and cons of joining the Writer's Guild of America and that was that.
Matiss and I are disappointed and not disappointed. We keep going back to the fact that I was never explicitly told "to blow up the script". Lord knows, I would have done that. That's one of my writing strengths: I am fearless.
A month ago, I was in a dark hole, living with the grief of losing Gwen and Tim as well as a professional incident that communicated to me that I was "washed up." Then this project fell from the sky. And now it's gone.
I'm not in a dark hole anymore, but something seems to be missing. I honestly can't figure out the lesson, the message, the meaning, the moral, the whatever of this.
Got some feedback?
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